Jacob Collier: Don’t Stop 'Til You Get Enough (2018 single)
Overlays himself with a grand piano that can loop, re-creating the vibe of Michael Jackson’s original using purely acoustic sound. Wild funky solo and lush harmonies as always. During the halfway point he goes into a time signature that I can’t figure out; anyone know?
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Michel Camilo, Anthony Jackson, Horacio (El Negro) Hernandez: Calle 54 (2000)
An excerpt from the documentary about Latin jazz featuring some ways of playing the piano I haven’t seen before. The beginning more resembles something you might hear elsewhere, but I’m starting at the mid-section which has some very intense improvising with Latin rhythms. Impossible to sit still as they have too much fun creating this from nothing.
[It's hard to see how funny-shaped the box is from inside.]
I like people who can take pleasure in ordinary experience.
[The 'diamond model' describes expanding to generate lots of ideas without judgement, followed by the convergence towards making choices about what is pertinent.']
Information wants to be free but rent isn't.
[I don't apologize.]
If you're feeling intimidated, let them stretch you.
Tagged: relate.
At COLORSxSTUDIOS (2021). Massive sound in this body-shaker, both in the powerful voice and in the beat. The synthy flute about halfway in is a timbre I don’t hear often.
