Shaolin Afronauts: Flight Of The Ancient (2011)
Afrojazz, wild honky saxophone solos, dorian modes, to which you can dance for 45 minutes straight.
Shaolin Afronauts: Flight Of The Ancient (2011)
Afrojazz, wild honky saxophone solos, dorian modes, to which you can dance for 45 minutes straight.
Ilessi: Dama de Espadas (2020)
Complex, vital, emotional, and very not-weak-sauce: Dama de Espadas is a bold, rough and sassy blues in Portuguese; Oração pro Gil has onomatopoeic cantations over an African groove; the sort of hard rock vibe in Vivo ou Morto took me by surprise.
Imagine walking into a park and seeing a professional Brazilian guitarist sitting alone in a gazebo practicing his own complex jazz and classical compositions, in a pandemic, in a city where people don’t normally sit alone in parks and practice guitar. I'm grateful this musician shared his music (and let me listen with social distancing).
Jacob Collier: Moon River (a cappella, 2019)
Sublime celestial splendor sung by the chorus of a thousand stars. Not sure how I missed it but I think one cannot die before hearing this. I am still working my way through his in-depth hour-and-a-half music nerdery around the creation of this masterpiece.
[Twitter enables direct exchange between thoughts, independent of the people.]
[Twitter and TikTok enable content threads.]
[When me and the person I know are conversing on twitter, the third person that doesn't know is is watching. A performance for our shared mutuals.]
[We went from an oral culture where everything disappears, to a written culture, and now as text is less necessary we are moving toward an oral culture where everything is permanent.]
[People LARPing doing their day job in the real world to earn the money that enables them to participate in their imagined world, like Burning Man.]
[People pretending that they want things in public because they think other people want them is the source of many problems.]
[Lying is more cognitively demanding, you actually burn more sugar.]
[Every child is like a traveller arriving from somewhere else.]
[How to encourage a group to feel the camaraderie of 'we did it'?]
[Peer maker group.]
[Introduce yourself, what are you working on, what programming language.]
[What did you learn, add this week? challenges?]
[Anyone do marketing?]
[Users talk with makers.]
[Most people don't try stuff? Encourage serendipity.]
[Build measure learn.]
[Integrating this into your practice.]
How to LEARN ANY LANGUAGE on Your Own (Fast!)
[Walk around with the target language playing and try to repeat back phrases that you hear.]
[Digital garden + zero data implies a dissatisfaction with the current state of affairs.]
[Getting more people involved can be a path to mentoring others.]
[What's the purpose of everything? in the code… in the app…]
LOGIC SESSION BREAKDOWN: "Moon River"
[I like to have a chord planned and then add as many notes to it as possible until it's too much, and then take some away.]
[I used to listen to Take 6 and sing the note I wish was there, the 7th note.]
[Textbook voicings die specifically because they are 'correct'.]
posted to Blog
Building Zero Data Apps & Entrepreneurship
Earning a living building software without holding other people’s data.
Open-source doesn't mean build it only in the ways defined by software tools like GitHub: we can meet up, talk about it, help each other, organize together in our own ways.
posted to Blog
Easy Indie App—Run your own X in a few clicks
Promoting self-hosting via 'one-click install' systems.
Mashes up three different songs with electronic grooves and well-placed cowbell.
Outside my milieu, genre-wise, but it’s a bodyshaker that deserves to be blasted on good speakers. The artist explores their sexuality with visual metaphors and vibrant colours.
From The Ska EP (2008) might be the song that gets me into ska—I would describe it as ‘uplifting’.
From Live At The Bracknell Jazz Festival (1986). Featuring flinging tongues, African grooves, and drummer Ed Blackwell.
Ron Everett: Glitter of the City (1977)
Traditional jazz and swing sounds with weird stuff, and I dug several tracks: Royal Walk_ with warbly instrumentals, loops, screeching, spoken word; Tipsy Lady’s blues/hip-hop and old school drums; Pretty Little Girl’s singing off-key Latin vibe; the 8-bit bossa nova of Untitled No. 4.
Joana Queiroz: Memórias (2019)
Live performance where she builds sound structures with loop pedals and various clarinets, accompanied at times by graceful dancing. Sublime colouring in the photography and clothing.
Joana Queiroz: Performance sonora
Live improvised “sound performance” from 2021. There’s something pure and unfiltered about a human being making music with an acoustic instrument while walking through nature. Accompanying is the sound of birds, dogs, air, footsteps, singing, a self-playing accordion, a fireplace, frogs…